Vuurwerk bij de viering van de Vrede van Utrecht, 1713 1713

Curator: Here we have an engraving, dating from 1713, which captures the fireworks display celebrating the Treaty of Utrecht. The print, currently residing at the Rijksmuseum, is attributed to an anonymous artist. Editor: The sheer, almost obsessive detail of the engraving gives it an intensely theatrical, somewhat unreal quality, like peering into an elaborate clockwork diorama. All that dense linework tries to tame the explosive energy. Does it succeed? Curator: The dense linework you mention is critical, actually. Note how the graphic structure reinforces the representation of ephemeral effects. The line weight variates considerably. It mimics and therefore controls what would otherwise be uncontrolled spectacle. Editor: "Control" is the operative word, isn't it? This isn't just a depiction of fireworks; it's a carefully orchestrated performance. A stage is very deliberately erected. A stage that reflects state power and its instruments, if you like. All for public consumption, I assume? Curator: Absolutely. The work uses perspective strategically. Observe the way the architecture of the temporary structures anchors the chaotic brilliance of the fireworks. Geometry versus randomness, in a very controlled opposition. See how the linear, controlled forms are always pointing upwards towards the open, formless sky... a symbolic representation. Editor: And notice the audience, positioned just behind the fountain, their little backs turned. Maybe it's my mood, but it feels terribly artificial to me, and joyless despite the overt symbolism of peace and celebration. Where's the fun? Curator: Perhaps the fun is precisely in the artifice! These historical prints present very codified and structured narratives, rather than an honest reflection of public emotion. It’s a monument to peace, crafted through very careful artistic strategies and a clear theoretical concept. Editor: I see that, definitely. It makes you wonder, though, what the people really thought, versus what they were supposed to think. The artist gives me few cues to that inner emotional experience; if anything they suppress it under all that structure and technique. Curator: Agreed. This detailed graphic rendering highlights the complexities inherent in creating national symbolism. Editor: It feels strangely distant. And maybe the point is the creation of art at distance. Even after centuries.