Portret van de geneesheer Nicolaas Tulp by Lambert Visscher

Portret van de geneesheer Nicolaas Tulp 1643 - 1691

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print, engraving

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portrait

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baroque

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dutch-golden-age

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print

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engraving

Dimensions height 140 mm, width 84 mm

Curator: Look at this portrait—an engraving made by Lambert Visscher some time between 1643 and 1691. It's a representation of Nicolaas Tulp, the esteemed physician. Editor: The portrait has an air of confident authority, almost aristocratic, though tinged with the severity characteristic of the Dutch Golden Age. Is this severity a deliberate part of the composition? Curator: It is certainly interesting to view through that lens. Portraits in this period functioned to broadcast status, which we can read in Tulp’s refined composure, his fashionable attire, the oval frame around him… all working to create an emblem of erudition and distinction. Editor: Right, but does this presentation flatten more complex histories? Consider Tulp’s infamous anatomy lesson, memorialized in Rembrandt’s painting. That was also about scientific advancement, yet raised difficult ethical questions tied to race and social standing. Should those undercurrents inform our reading of *this* image? Curator: Absolutely, this piece should resonate with layers of knowledge surrounding Nicolaas Tulp and his position in society. It provides a more distilled symbolic language, though. I see in Tulp's face the serious ethos of the physician, the humanist quest for understanding. His direct gaze suggests integrity, which is mirrored in the meticulous craft of the print itself. Editor: Integrity and authority hand in hand – but who does that serve, and who gets erased in the process? Engravings, prints, served to broadcast images widely, to popularize and thus normalize certain types of individuals as authoritative leaders, even while that authority could be inherently problematic. Curator: I take your point entirely; we have to see the wider narratives being constructed. But art often contains the push and pull of societal values—conflicts embedded into single works that are waiting for us to unearth. Editor: True, and perhaps we've done a little unearthing here today. Curator: Indeed, seeing a portrait not just as an image but a carrier of encoded cultural ideals—reveals how the seemingly straightforward can speak volumes.

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