Portret van Johannes van Beverwijck, arts en schrijver by Salomon Savery

Portret van Johannes van Beverwijck, arts en schrijver 1643 - 1650

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print, engraving

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portrait

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baroque

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dutch-golden-age

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print

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old engraving style

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figuration

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personal sketchbook

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engraving

Dimensions height 139 mm, width 89 mm

Curator: Looking at this work, I'm immediately struck by the formal reserve and quiet dignity radiating from the portrait. The subject almost seems to be observing us, rather than the other way around. Editor: Indeed. Let’s contextualize. Here we have Salomon Savery's “Portrait of Johannes van Beverwijck, physician and writer,” made sometime between 1643 and 1650. Van Beverwijck was a very prominent figure in his time. Curator: The Baroque sensibility is evident in the ornate framing, but the image itself feels very...Dutch, in a way, no? Clean lines, subdued emotionalism—very much the ethos of the rising merchant class. The inscription underneath uses both Greek and Latin, likely intended to resonate with educated viewers in society at the time. Editor: Absolutely. Consider the social position Van Beverwijck occupied. A physician and senator – that is a man of science and public service – his portrait serves as a pronouncement of status within the context of the Dutch Golden Age and its emphasis on civic virtue and intellectual pursuit. He is portrayed with a sober elegance which speaks volumes about how leaders cultivated their image. Curator: The choice of an engraving also contributes to its meaning, it could be reproduced widely. This wasn't just a depiction, but a statement to be circulated, and one wonders what politics are at play in such calculated dissemination. Van Beverwijck isn’t just represented, he’s *performing* a role within this network of social expectation and perhaps aspiration, especially when he describes himself as, "Talis IOHANNES fum BEVEROVICIVS”--so to speak, claiming that "such as I, am Johannes van Beverwijck" Editor: A compelling point! The portrait certainly presents Van Beverwijck as a model citizen for others to potentially emulate within a society placing growing importance on personal accomplishment and contribution. That balance between individuality and collective identity remains relevant in art history—who gets remembered, and how. Curator: This portrait prompts a reflection on identity, representation, and power in the burgeoning Dutch Republic. Thank you for bringing those perspectives into view! Editor: My pleasure, an insightful dialogue always enriches understanding!

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