Saint Patrick's Day parade--New York City 9 by Robert Frank

Saint Patrick's Day parade--New York City 9 17 - 1958

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photography, gelatin-silver-print

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landscape

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street-photography

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photography

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cultural celebration

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gelatin-silver-print

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monochrome photography

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pop-art

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cityscape

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monochrome

Dimensions overall: 25.3 x 20.2 cm (9 15/16 x 7 15/16 in.)

Curator: This gelatin silver print, "Saint Patrick's Day parade--New York City 9" was shot by Robert Frank sometime in 1958. Seeing it laid out as a contact sheet, almost like film stills, gives it a unique character. Editor: It does have this stop-motion energy to it! And monochrome naturally brings with it nostalgia, doesn't it? All this captured revelry frozen in time. I sense a certain detachment though, in its presentation—not celebratory, but observational, even clinical? Curator: Frank wasn’t just documenting the parade, but also offering a glimpse into mid-century American life. These parades, these expressions of cultural identity, became important subject matter. His vision, captured with that Leica camera, became pivotal for the photography of that era. Editor: So this wasn't only about what’s in the frame, but who's framing it and why? Like Frank using his camera almost as a mirror reflecting back to the viewers what the American cultural event has been turned into! This particular contact sheet hints at that layered meaning. You get the celebration and the detachment from its own cultural values. Curator: The high-contrast and grainy texture of the gelatin silver print serve the purpose. I almost wonder, seeing it all together like this, about Frank's decision-making process. What were his rejects, what was in-between these 'chosen' moments? It feels less about the grand spectacle, and more about capturing the ordinary, overlooked humanity within the organized chaos. Editor: You're right; each tiny frame hints at the countless unseen moments and that it's up to us to create meaning behind the scenes! It makes the contact sheet somehow more genuine, more vulnerable than any single perfect image could ever be. Curator: The composition itself feels raw, unpolished and unfiltered in its truest way, as if these were plucked straight from a passing memory. And in monochrome? Editor: It strips away the gaudy green of it all, forcing you to look at the bare bones of a cultural tradition. A parade transformed into a sort of… existential street performance? It really invites reflection. Thanks! Curator: Thank you.

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