El--New York City no number by Robert Frank

El--New York City no number 1954

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contact-print, photography

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film photography

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contact-print

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archive photography

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street-photography

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photography

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monochrome photography

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film

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modernism

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monochrome

Dimensions sheet: 25.2 x 20.2 cm (9 15/16 x 7 15/16 in.)

Curator: What strikes me immediately is the rhythmic, almost musical, repetition of these frames. Editor: Well, that makes sense. This is "El--New York City no number," a contact print by Robert Frank, created in 1954. It shows several strips of 35mm film laid out, capturing the elevated train lines and the city life beneath. Curator: Elevated train lines... There's something deeply resonant in that upward reaching structure paired with everyday lives beneath. It is as though the spiritual aspirations of the city are held aloft by the mundane movements of its inhabitants. Editor: Fascinating, I hadn't considered it in those terms, though Frank's approach to street photography, particularly his use of readily available film and equipment, definitely grounds the image. There is a tangible relationship to labour here too. The roll is also not laid out perfectly, but askew. This lack of complete registration and order adds to its emotional force. Curator: Exactly! Look at how the graininess, almost a deliberate crudeness, intensifies the immediacy of the moment. It suggests a kind of unfiltered truth, contrasting with the sometimes polished facade of city life. What do you think he's trying to tell us? Is it the weight of city life upon those workers that Frank focuses on here? Or a spiritual aspect too? Editor: I would say that by displaying the photographic roll this way, it gives it a sort of democratic appeal. He elevates the unedited moments and process involved, by showcasing the production in that sense, it is very powerful in how grounded it is, almost. Curator: That interplay of grit and grace...It’s like a modern icon—not in the traditional, religious sense, of course—but in its capacity to crystallize a particular moment of human experience in an unforgettable form. Frank captured more than just a scene; he gave us a piece of collective memory. Editor: It’s an artifact of production in itself really; this small thing contains so much. Thank you, Curator, it has been truly special.

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