Ervin Duane "Jim" Curtiss, Right Field, St. Joseph Clay Eaters, from the Old Judge series (N172) for Old Judge Cigarettes 1889
drawing, print, photography
portrait
drawing
baseball
photography
men
athlete
Dimensions: sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)
Copyright: Public Domain
Curator: Here we have a fascinating artifact, a baseball card featuring Ervin Duane "Jim" Curtiss from 1889. It's part of the Old Judge series, produced by Goodwin & Company, known for their cigarette brands. Editor: It's incredible how this small photographic print evokes such a sense of nostalgia, isn't it? The sepia tones and slightly blurred image give it a unique aura. Curator: Absolutely. These cards weren’t just about baseball; they offer insights into the late 19th-century's popular culture and the burgeoning commercialization of sports. It reveals not just Curtiss as an athlete, but the era's values associated with athleticism. Editor: Note the stark contrast between the dark uniform and light background, effectively isolates the figure. The subject is almost caught mid-motion with that tilted gaze that draws our attention to his firm grip on the bat and evokes ideas about focus and force. Curator: Exactly. And consider the Old Judge Cigarette Factory branding. Tobacco companies strategically aligned themselves with sporting heroes, tapping into aspirational ideals of strength and success, especially appealing to a working-class male audience. Editor: Interesting how the very structure of commercial branding can be used to propagate narratives of national pride and even idealized masculinities. However, I wonder if we can look at it less analytically? What feelings do we derive from viewing this piece? Curator: This makes me think about baseball as a distinctly American construct, intimately entwined with capitalism, commodification of sports, gender roles, and mass advertising, that makes it a complex and problematic part of U.S. history. Editor: Still, regardless of social factors, it manages to stir some feelings that connect to more profound aesthetic or emotional responses such as admiration, a sense of yearning for another place and time, a meditation on time. It's a unique paradox. Curator: I see your point. Looking at this piece offers me a different perspective on the concept of cultural memory as it reminds us how advertising shaped and reflected societal attitudes towards sport and consumerism. Editor: Yes, a unique dialogue indeed! We come away from this baseball card now reflecting more about cultural significance and art appreciation itself than a game.
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