Henderson, Pitcher, Brooklyn, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company

Henderson, Pitcher, Brooklyn, from the Old Judge series (N172) for Old Judge Cigarettes 1887 - 1890

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drawing, print, photography

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portrait

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drawing

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still-life-photography

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pictorialism

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print

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photography

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genre-painting

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realism

Dimensions sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)

Editor: So this is “Henderson, Pitcher, Brooklyn, from the Old Judge series (N172) for Old Judge Cigarettes,” dated from 1887 to 1890. It’s a small print, a baseball card really, with a sepia-toned photograph. I’m immediately struck by the overt commercial aspect – it feels less like art and more like straightforward advertising. What do you see in a piece like this? Curator: What I find fascinating is the intersection of sport, commerce, and early photographic techniques. The 'Old Judge' series was incredibly popular. But let’s consider who produced these images and why. These cards weren’t made for art collectors; they were primarily inserted into cigarette packs. It speaks volumes about the burgeoning popularity of baseball at the time and the strategies used by tobacco companies to cultivate a specific male consumer base. It portrays a certain idealized masculinity linked to athleticism and, implicitly, the act of smoking. How do you think this connection affected public perceptions? Editor: It's interesting you frame it as cultivating an image of masculinity. It makes me think about celebrity endorsements today. Does the artistic merit then become secondary to its social function? Curator: The artistic intention here might be debated, but its function within the public sphere is undeniable. Photography was still developing, and these cards presented everyday people and burgeoning heroes in a very accessible format, arguably influencing portraiture. It democratized the image, making it part of daily consumption, not just something viewed in galleries. Also, think about the distribution network. Cigarette sales distributed artwork to every corner of society! Editor: Wow, that really reframes how I initially saw it. It's not just a simple advertisement but a document reflecting social trends and the power of images to shape identity. Curator: Precisely. It highlights how even the most seemingly banal images can hold profound cultural and historical weight. Examining the social forces that shaped the image broadens our perspective on what “art” can be and do.

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