Drie mannen 1874 - 1935

This woodcut, Drie Mannen, presents three figures caught between the flat pattern of the page and an implied depth of field. I find myself drawn to the limited palette and simplified forms. It suggests that Lauweriks wasn't just depicting figures, but constructing a visual language. The crisp lines carve out distinct shapes, filling them with either stark black or untouched white. It’s a graphic dance, a play between positive and negative space that activates the surface. Look at the negative space between the figure's crossed hands. It almost becomes another object in itself! Lauweriks, like Mondrian, was deeply invested in theosophy and geometry. This work makes me think about how they explored the spiritual through abstract forms. The beauty of art lies in its capacity to hold multiple truths at once, inviting each of us to bring our own perspectives.