Portret van Frederik de Grote by Johann Martin Bernigeroth

Portret van Frederik de Grote 1757

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print, engraving

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portrait

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baroque

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print

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old engraving style

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history-painting

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engraving

Dimensions: height 150 mm, width 92 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have a print dating back to 1757: "Portret van Frederik de Grote," by Johann Martin Bernigeroth, currently held in the Rijksmuseum collection. Editor: My first impression is one of cool detachment. The engraver’s use of line and stipple creates a detailed, almost icy, surface, and that really accentuates the formal, rather aloof expression of Frederick. Curator: Indeed. This image serves not just as a depiction of Frederick the Great but also functions as a potent piece of political propaganda, framing him within the context of Prussian power and enlightenment ideals. His figure looms large against a history ripe with upheaval. The print underscores a deliberate construction of identity and power. Editor: Absolutely. Consider the composition—the elaborate hat, the opulent fur, the carefully rendered armor, and even the Latin inscription. All coalesce to project authority. But note how the engraver meticulously builds up the forms using hatching and cross-hatching to describe the textures, and he also uses chiaroscuro to enhance the three-dimensionality of the figure, making the portrait seem so tangible, yet untouchable. Curator: That's interesting. The portrait is evocative, reflecting the broader socio-political conditions. Here, representation becomes entwined with power, justifying authority in times of conflict, reflecting the ideals of his reign while carefully omitting the brutalities sometimes needed to maintain such an empire. Editor: Perhaps what interests me is the engraving itself: the mastery with which Bernigeroth employs line to suggest volume and texture. He takes what can often be seen as a purely reproductive medium and elevates it to something aesthetically compelling in its own right. It shows the engraver's own capabilities too, and we should admire the material. Curator: Considering its historical weight alongside its technical execution definitely reshapes how we see the image, I think. Editor: I agree. Considering both broadens the perspective of this fascinating work.

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