Bologna--Italy 5A by Robert Frank

Bologna--Italy 5A 1964

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photography

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architectural and planning render

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architectural modelling rendering

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architectural diagram

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architectural plan

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street-photography

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photography

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architect

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architecture model

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architectural section drawing

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architectural drawing

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architecture drawing

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architectural proposal

Dimensions overall: 25.2 x 20.2 cm (9 15/16 x 7 15/16 in.)

Editor: So, this is Robert Frank's "Bologna--Italy 5A" from 1964, a gelatin silver print. It's a contact sheet, with different shots of what appear to be interiors and architectural details in Bologna. I'm really struck by the contrast, the strong lines, and the slightly unsettling, detached feeling. How do you interpret this work? Curator: The strength of this image, lies precisely in the interplay of formal elements. Consider the geometry: stark lines, repeated verticals, and severe angles dominating each frame. Notice also the varying degrees of light and shadow creating rhythm across the sheet, transforming recognizable elements into stark abstract forms. Frank focuses less on what is depicted and more on how these stark juxtapositions and compositional repetitions work on the eye, wouldn’t you agree? Editor: I do! So, is the arrangement on the contact sheet itself an element to consider? Is that something intentional on Frank's part, or more like a behind-the-scenes glimpse into his process? Curator: Intriguing question. The arrangement and ordering elevates the piece beyond a simple record, yes. Consider how the frames echo and respond to one another. This is not mere documentation; it's an intentional, almost musical composition built from individual, fragmented moments. Each photograph, then, works to construct and build an architecture of vision across the entire frame. Do you think that the content of each frame has less meaning individually? Editor: Definitely less, and that emphasis on form over representational content clarifies his artistic vision. Curator: Precisely. It forces a consideration of photography as a constructive medium. Frank here invites a reading that prioritizes spatial arrangements over individual subject matters and, thus, over narrative. Editor: Thanks, seeing it as an architecture of vision gives me a totally fresh perspective! I am glad I got a second look here. Curator: The image is a fascinating lens through which to examine formalist values of balance and interplay. Thank you.

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