Exterieur van een woning voor werknemers van suikerfabriek Boedoeran in Sidoarjo op Java by Isken

Exterieur van een woning voor werknemers van suikerfabriek Boedoeran in Sidoarjo op Java c. 1925 - 1930

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photography

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asian-art

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landscape

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photography

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realism

Dimensions height 297 mm, width 450 mm

Editor: This is a photograph titled "Exterieur van een woning voor werknemers van suikerfabriek Boedoeran in Sidoarjo op Java," taken around 1925-1930. It depicts a house surrounded by trees and lush greenery. It has an aura of tranquility and also something slightly unsettling. What stories do you think it can tell us? Curator: Well, on the surface, it presents a rather picturesque scene, but considering the context, we must dig a bit deeper. It is of colonial housing in Java. The sugar industry then was a symbol of Dutch colonial power and the exploitation of Indonesian labor. What seems like a peaceful home for workers may mask deeper issues of power and inequality. Does the aesthetic serenity lull us into overlooking the lives of those who lived and worked here, for example? Editor: That’s a perspective I hadn't fully considered. So, even in what seems like a straightforward image, we have to look at who benefits from this representation. Does the architecture itself give clues to this colonial structure? Curator: Absolutely. The architectural style, most likely adapted to the tropical climate, probably separates the housing from the local architecture. In whose interest was that division created? Also, consider the carefully manicured landscape. Who was maintaining it? For whom was it maintained? Editor: So, even a seemingly simple photograph implicates complex layers of power and labor. Curator: Exactly. What appears like a realist landscape urges us to look beyond surface impressions. It reveals a history of exploitation and the lived experiences of workers that are so often made invisible. Editor: I will never see such images the same way again. This makes me aware of all that has gone into shaping the lives of so many others and making it picture-perfect. Curator: Precisely. That discomfort, that disruption, that is where meaningful conversations can begin.

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