Saint Matthew 1589

Curator: Hendrick Goltzius produced this engraving of "Saint Matthew" in 1589. It’s currently housed here at the Minneapolis Institute of Art. Editor: It's surprisingly intimate. The figure is presented in such close proximity, a naturalistic composition of ink on paper. It also looks like he is writing something… I feel an anticipatory mood looking at it. Curator: The textures created by Goltzius through the engraving are remarkably varied; from the smooth skin of Saint Matthew’s face to the rough-hewn rocks in the background, each surface reflects light in a distinct way. Look at how the lines vary to describe form, shadow and depth in this piece! Editor: That contrast emphasizes the very human portrayal of a saint; a far cry from the glorified depictions we often see. The presence of natural elements like the tree hints at a broader cultural interest in connecting religious figures to a more earthly realm, rooting divinity in lived experiences. I can say it represents the Mannerist era very well! Curator: You are correct in both senses! Considering Goltzius was the leading printmaker of the Northern Mannerist style. I believe it is interesting how he utilizes linear patterns to direct the viewer’s eye around the artwork. Editor: Absolutely. Also note that it would have served a specific purpose. During that period prints like these often had multiple functions, and acted as devotional aids but also served as means of disseminating artistic styles and ideas. Curator: What is interesting, to me, is seeing this work from the late sixteenth century as a conversation with the artistic concerns of that era; that the structure and materiality of the medium contribute just as meaningfully as its thematic content. Editor: And perhaps appreciating the socio-religious conditions offers just as much nuance as appreciating Goltzius’ expert use of line and form. It strikes me how different our approaches remain. Curator: True enough! But in this dialogue of perspectives, hopefully, our listeners find a fuller sense of the work.