Untitled or Not Yet 1966

Eva Hesse’s "Untitled or Not Yet" (1966) is a striking example of Minimalism. It consists of a series of 10 teardrop-shaped forms constructed from fiberglass and latex, and encased in a delicate netting. Hesse's signature use of industrial materials creates a complex interplay of textures and forms. The work's title, "Untitled or Not Yet," reflects the artist's exploration of the unfinished and the potential for transformation. The dangling, almost fleshy, forms suggest a vulnerability and fragility, making the work a captivating exploration of the body and the human condition.