drawing, ink, pen
portrait
drawing
figuration
ink
ink drawing experimentation
pen-ink sketch
expressionism
pen
Dimensions 69 mm (height) x 123 mm (width) (bladmaal)
Editor: This is Othon Friesz's 1907 ink drawing, "To studier af brændesamlersker," which translates to "Two Studies of Firewood Gatherers." The raw, expressive lines give it a really urgent feel. What can you tell me about it? Curator: Look at the materials: pen and ink on what appears to be simple paper, perhaps even scrap. This is a study, a preliminary investigation. Notice how Friesz is less interested in idealizing the figures, and more in capturing the labor and physical strain involved in collecting firewood. How does the medium itself, the directness of ink, contribute to that feeling? Editor: I see what you mean. There's no attempt to smooth things over or create a polished image. It's rough and immediate. Does that reflect anything about the lives of the women he's depicting? Curator: Precisely. Consider the social context. These women were likely engaged in strenuous manual labor simply to survive. Friesz uses a seemingly 'low' art form – the sketch – to depict a subject engaged in 'low' labor, creating an interesting intersection of art and life. Is he challenging our preconceptions of who and what deserves artistic representation, and with what materials? Editor: So, he’s elevating the everyday experience of working-class women through his art. But, the expressive style, does that distance it from reality or make it more immediate? Curator: It heightens the feeling, yes, but remember it's also about the making of art, the act of drawing itself. Friesz isn't just recording; he’s actively interpreting and responding to their physical struggle through the application of ink, the pressure of the pen, and the composition of the forms. Does the crudeness draw attention to the artifice inherent to portraiture itself? Editor: It makes you think about what art materials are valued, and who is being represented. Thanks, I'm going to have to do some more thinking on that! Curator: Likewise, this perspective truly deepens the appreciation of what’s on display, considering the work involved in creating and portraying a subject like that.
Comments
No comments
Be the first to comment and join the conversation on the ultimate creative platform.