Dimensions: 69.0 x 79.0 cm
Copyright: Public Domain
Carl Schuch’s still life is an exercise in muted tones and textured surfaces, depicting fruit and a glass carafe with a tangible, almost tactile quality. The objects are arranged casually, yet carefully, on what appears to be a crumpled tablecloth. Schuch uses a limited palette, focusing on variations of browns, greens, reds, and yellows. The brushstrokes are visible, adding depth and volume to the forms. There is a lack of sharp lines, and contours are softened to blend objects into their surrounding space. The composition is structured around contrasting elements, placing the smooth glass carafe alongside the rough skins of the fruit, the formal arrangement of the objects and the deliberately unfussy, textural quality of paintwork. Schuch’s work reflects a shift away from academic precision, emphasizing instead the subjective experience and materiality of painting. It moves away from traditional still life, and opens a way to a sensory encounter with everyday objects and surfaces. This invites us to observe not just what is depicted, but how it is depicted, and to appreciate the subtle ways in which paint can evoke touch, weight, and form.
Scattered fruits, crockery and a glass carafe have been carefully arranged on a white tablecloth to form a still life. Schuch has painted the apples with coarse brushstrokes, capturing the tablecloth even more sketchily. In the centre of the picture the light flesh of a cut-open apple gleams against the white of the fabric. Schuch created this still life in Paris as part of the 'Apples on White' group of works. The artist staged the still life against a neutral background in order to emphasise the brilliant colours of the fruits. Thus the meaning of the objects recedes behind the quality of their colours.
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