Harriet Sterling, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Harriet Sterling, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

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print, photography, albumen-print

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portrait

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print

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photography

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albumen-print

Dimensions: Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)

Copyright: Public Domain

Curator: This albumen print, produced circa 1890 by the Kinney Brothers Tobacco Company, presents us with a portrait of Harriet Sterling, an actress featured in their “Actresses series” promoting Sweet Caporal Cigarettes. What's your immediate take on this? Editor: Well, the sepia tones give it an undeniably antique feel. The textures are intriguing. You've got the intricate pattern on her dress, the softness of her feathered fan… There's a certain gentleness to the image, wouldn’t you agree? Curator: Absolutely. What interests me is how these cards, mass-produced as advertising premiums, circulated and contributed to constructing and circulating idealized images of women, particularly actresses, during that era. How does the distribution of this image function in consumer culture, creating certain desires of feminine charm that intersect and create commodity? Editor: Indeed. Looking at the composition, Sterling is centrally positioned. Her direct gaze and elegant posture, do command attention. The formal pose against a lightly decorated background simplifies into a figure/ground relationship that emphasizes her presence. I find her placement striking! Curator: The "Actresses Series" speaks to a cultural fascination, almost an obsession, with actresses in the late 19th century. They were celebrities, figures of desire and controversy who were performing public life but always scrutinized and vulnerable. These cards allowed consumers intimate, though mediated, access. Consider that these images helped shape discourses on femininity, performance, and public image. It speaks to a commodification of persona. Editor: I am drawn to how the image itself interacts with and plays upon surface. The softness of the albumen print adds an ethereal quality, yet there’s sharpness in her face, highlighting a subtle contrast that elevates the image beyond mere documentation to something…almost iconic? Curator: Well, precisely that is where my mind is engaged. "Iconic" carries all that heavy meaning we should continue to examine about the actress and woman's place in culture in this time. The image acts as a small artifact representative of much larger systemic ways of image distribution and consumption that continue into today! Editor: An excellent observation! I concede to this fascinating socio-cultural context. I'm glad we unpacked that together.

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