Jérusalem, Église de Sainte-Marie-Madeleine 1854 - 1859

Auguste Salzmann created this salted paper print of the Church of Saint Mary Magdalene in Jerusalem sometime in the mid-1850s. The image offers a glimpse into the historical and cultural context of Jerusalem during a period of significant transformation. The photograph's visual codes and historical associations evoke a sense of the city's layered past. Made during a time of growing European interest in the Middle East, Salzmann's work reflects the intertwined dynamics of colonialism, religious fascination, and archaeological exploration. France and Britain were vying for influence in the region, with each seeking to further their political and economic interests through cultural and religious diplomacy. Salzmann was sent to document the Holy Land in order to prove that the architecture predated the arrival of Islam in the region. Understanding the social conditions that shape artistic production is paramount. By delving into archival sources, travel literature, and institutional records, we can gain insight into the complex interplay between art, power, and cultural exchange.