Order of the Garter, England, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Order of the Garter, England, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888

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drawing, coloured-pencil, print

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drawing

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coloured-pencil

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water colours

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print

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coloured pencil

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horse

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men

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history-painting

Dimensions: Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)

Copyright: Public Domain

Editor: This is "Order of the Garter, England," a print made around 1888 by the Kinney Tobacco Company. It's a small, decorative card featuring St. George slaying the dragon, surrounded by the motto of the Order of the Garter. Given its origin as a cigarette card, I’m curious, what aspects of its production and intended use do you find most interesting? Curator: It's crucial to understand these trade cards, not as isolated images, but as commodities circulated within a burgeoning consumer culture. Consider the materiality – coloured pencil and print on thin card stock. It transforms aristocratic imagery into a cheap, mass-produced item. The labour involved in creating these thousands of cards also contrasts sharply with the elitism the image projects. Editor: So, it's less about the artistry and more about its role in popular culture at the time? Curator: Precisely! We need to challenge that "high art versus low art" binary. This wasn’t meant for a museum; it was a disposable good designed to promote the consumption of cigarettes. Ask yourself: how does the historical context change our understanding of the visual elements themselves? Does the dragon become less a symbol of evil, and more an element in branding a cigarette? Editor: That's fascinating, it completely reframes how I see the image! I was so focused on the imagery itself, but thinking about the means of production and distribution provides so much more depth. Curator: Exactly! By interrogating the materials, process and the social context, we can expose the complex layers of meaning embedded within even the most unassuming object. Understanding art as labor challenges assumptions. Editor: This has really opened my eyes to the importance of looking beyond the surface and considering the conditions that shaped the creation and use of art. Thank you. Curator: My pleasure. Remember to question, analyze, and consider the socio-economic factors influencing artistic expression.

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