Rest on the Flight into Egypt 1633

Curator: The density of line work really strikes me in this engraving; it’s quite impressive. We’re looking at Bernardino Capitelli's "Rest on the Flight into Egypt," created in 1633. Editor: Yes, the density of engraving is certainly striking! There's a sort of nervous energy conveyed by that massing of lines, even as it depicts what's ostensibly a scene of maternal calm. Curator: Maternal calm is just what the Holy Family needed during their flight from Herod's decree. Visually, Capitelli captures both the need for protection and a sense of otherworldly safety here. Look how Mary cradles the child, while the engraving suggests deep, surrounding foliage to keep them concealed. The donkey in the background shows us that they had assistance, as well. Editor: It’s a poignant interpretation of the iconography—Mary giving what appears to be liquid refreshment to the Christ child during their travels. I wonder how contemporary viewers perceived that blending of a familiar, intimate domestic act with the sacredness of the biblical narrative. Curator: Given the devotion surrounding Mary at the time, it likely underscored her humanity. Capitelli isn’t afraid to show the hardship in what might have otherwise been imagined as a glorified event. The deep hatching indicates fatigue and potentially even a foreboding of future tribulations, if you look at Mary's face. Editor: Interesting observation. Perhaps the somber tone arises from the artist's reflection upon the power dynamics of his own time, with Mary and Jesus as refugees. Or the precarious balance between earthly safety and divine providence... Curator: Absolutely. And even today, doesn't it remind us of the ongoing narratives of refugees, seeking sanctuary, trying to keep their children safe? These universal experiences of motherhood echo throughout time. Editor: Yes, indeed. Despite its baroque aesthetic, the thematic weight remains resonant and relevant. Curator: Well said. There is a reason that some artworks endure and others fade. Editor: I’d agree that this image persists because it manages to make these monumental historical figures feel familiar—a key measure for understanding what the public needs to see in a given era.