On New Year's Day, the Obligatory Call on Aunt Rabourdin 1847

Curator: Honoré Daumier's "On New Year's Day, the Obligatory Call on Aunt Rabourdin" presents a family gathering. The lithographic technique creates an atmosphere of subtle social critique. Editor: The density of lines really strikes me; it creates a feeling of being cramped, almost claustrophobic. It's immediately evocative. Curator: Daumier often critiqued the bourgeoisie in his work. This piece likely comments on the societal expectations and perhaps the superficiality of such obligatory visits. Editor: Yes, look how the light seems to fade around the edges, drawing our eyes to the central figures, highlighting that tension, that central dynamic between the family members. Curator: The title itself, "obligatory call," tells us much about the lack of genuine connection possibly present. Think about the role of family duty and social performance during this time. Editor: The use of monochrome also contributes to this muted, perhaps slightly somber mood. One can sense a certain resignation. Curator: Exactly! It makes you wonder about the experiences of women and children within these constructed social rituals and gendered spaces. Editor: Indeed. Daumier’s orchestration of line and form crafts an insightful narrative, leaving us to question the genuine nature of social interactions.