Portret van Augustus Hervey c. 1763 - 1765

Edward Fisher created this portrait of Augustus Hervey using mezzotint, a printmaking process known for its rich tonal range. Initially, you’re struck by the tonal gradations that model Hervey’s form and the dynamic contrast between light and shadow. Fisher masterfully uses chiaroscuro to highlight Hervey's face, drawing our attention to his composed expression. The composition, divided vertically, balances the figure against a backdrop of naval vessels, alluding to Hervey's military status. The spear creates a strong diagonal that cuts across the composition, adding a sense of dynamism. The detailed rendering of the fabric and the textures suggests an interest in materiality. This detailed description serves not just to capture a likeness, but to establish a certain social and political identity. Note how the manipulation of light across surfaces creates an engaging visual experience, drawing you in to contemplate the interplay between representation and power. This remains a fascinating example of eighteenth-century portraiture.