Final Apparition of the Son of God as Lightning (Apparizione finale del figlio de Diocome folgore) by Pietro Parigi

Final Apparition of the Son of God as Lightning (Apparizione finale del figlio de Diocome folgore) 

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graphic-art, print, linocut

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graphic-art

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print

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linocut

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linocut print

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geometric

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abstraction

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line

Editor: Here we have Pietro Parigi’s linocut print, "Final Apparition of the Son of God as Lightning." It’s strikingly graphic, this stark black and white contrast creating a very dynamic composition. The strong diagonals and sharp lines are pretty intense. What do you see in this piece, especially focusing on its formal elements? Curator: Indeed. The work's strength resides in the push and pull of the binary oppositions that it presents to the viewer: light and dark, line and plane, chaos and order. The radiating lines emanating from the top, and the parallel lines below, create a balanced visual tension, almost a semiotic conflict, resolving in the electrical discharge. The artist wields line as a defining structural element; where would your eye find itself absent this visual pathway? Editor: Probably lost in that sea of black, I guess? I find the bold lightning bolt quite impactful too. Is that a literal interpretation, or is Parigi trying to do something else? Curator: Literal perhaps, but within the symbolic order of the image's lexicon. Note how the stark geometry stands out from the organic feel elsewhere. Consider it the focal point that reifies, indeed, electrifies, the overall structure. Doesn't its angle disrupt the expected balance, thus introducing an element of the sublime, by creating dynamism in opposition to the implied chaos? Editor: That’s interesting. I hadn't considered the ‘sublime’ in it. Looking closely at how those lines generate the ‘lightning’ shape creates more meaning. It's more than just a simple graphic. Curator: Precisely. Through the artist’s orchestration of formal components, the lightning flash embodies not merely an image, but a powerful statement on symbolic tension. The careful interplay of abstract forms is very telling. Editor: I see it now. Thank you! Curator: A productive exchange, illuminating how the aesthetic value originates not in 'what' is portrayed but in 'how' form evokes deeper feeling.

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