Half Follis of Justin II, Thessalonika c. 572 - 573

Curator: We’re looking at a copper Half Follis of Justin II, struck in Thessalonika. Its weight is just about 5.47 grams. Editor: It’s a small object, but the patinated surface and worn details give it a solemn, weighty feel. Almost primordial, like a fragment of something much larger. Curator: Indeed. Coins were crucial visual tools in the Byzantine Empire. This one features Justin II and Empress Sophia, subtly conveying their authority. Editor: Note the crisp lines that create a halo effect around the figures, contrasting with the more abstracted symbol on the reverse. The composition implies an underlying structure. Curator: The cross, set atop what might be steps, becomes a potent symbol of Christian ascendancy, a message amplified through distribution and daily handling. These coins speak volumes. Editor: The semiotic analysis gives me a fresh look at the numismatic artwork. It's not just money; it's a political statement hammered into metal. Curator: Exactly. Visual symbols carry continuity and the emotional, cultural weight to support political power. Editor: It's all about form and symbols. Thank you.