Positie van de Aarde op het moment van het perigeum en die van de zenit 1706

Editor: This engraving, "Positie van de Aarde op het moment van het perigeum en die van de zenit," created by Sébastien Leclerc I in 1706, presents a celestial diagram. It’s striking how the clean lines and circular forms create a sense of order. How do you read this piece formally? Curator: Focusing on the formal aspects, we observe a deliberate arrangement of geometric shapes. The circles, lines, and lettering contribute to a balanced, if not entirely symmetrical, composition. Consider the precision of the engraved line; its quality speaks to the intentions of representing, rationalizing and understanding space and placement. Do you notice the relation between the inscription, image and use of space? Editor: Now that you mention it, the upper diagram, labeled "E la terre dans le périgée," seems to mirror the lower one, "L la terre dans l'Apogée," like a carefully designed reflection, and that seems relevant! It's as if Leclerc is setting up a comparative structure. It's not immediately beautiful, in a conventional way. Curator: Indeed. The beauty resides in the meticulous rendering of an abstract concept through visual means. The contrast between the fine lines of the geometric shapes and the denser areas representing, presumably, celestial bodies generates visual interest. Ask yourself whether that abstraction itself has a place in its aesthetic effect. Editor: It's fascinating how much information and thought went into creating a seemingly simple image. Thanks! Curator: Indeed, examining the elements – line, shape, and spatial organization – reveals a complex understanding of astronomical relationships translated into a visual language. A keen formal examination directs us to consider semiotic aspects too.