Slapende Diana by Jan van Somer

Slapende Diana 1659 - 1740

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light pencil work

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pen illustration

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pen sketch

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pencil sketch

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junji ito style

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pen-ink sketch

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surrealism

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pen work

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tattoo art

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pencil art

Dimensions height 200 mm, width 243 mm

Editor: Here we have "Slapende Diana" by Jan van Somer, created sometime between 1659 and 1740. It's a pen and ink drawing, and there's something really serene and dreamy about it. Diana is reclining, looking very relaxed, and I’m drawn to the way she's positioned near a fountain with a cherubic figure. What do you see in this piece, particularly considering its symbolism? Curator: The composition immediately strikes me with its echoes of classical allegories. Diana, goddess of the hunt and the moon, here rests, setting aside her typically active role. What does it suggest to see such a powerful figure in repose? Perhaps it reveals a cultural desire for cyclical rest and the acceptance of shifting power, night following day. Editor: That's interesting. The cyclical nature connects to the moon imagery associated with Diana. So her rest isn't weakness, but part of a larger cosmic pattern? Curator: Precisely. And notice the two dogs; loyalty, vigilance but they are equally at rest. Does their stillness amplify Diana's tranquility or indicate something more symbolic, a lull in societal awareness perhaps? The fountain becomes a motif of life, the continuous flow juxtaposed against her dormancy, a promise that action and energy will return. The landscape background infers her return to nature with its repeating imagery, trees giving life but the barren countryside shows the ever presence of time. What thoughts does this stir in you? Editor: It makes me think about how even symbols of strength and action need moments of peace, and those moments are integral, not separate from their power. The artwork really creates a thoughtful juxtaposition. Curator: Indeed, it's an elegant rendering of dualities – action and inaction, strength and peace – illustrating a universal desire for balance reflected through cultural memory. A delicate and timely discussion. Editor: I'll certainly look at art differently now, thinking about those hidden symbols, and it all contributes to an enriching artistic understanding. Thank you.

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