Journal des Demoiselles, Supplement au No. 20, 15 Octobre 1911, No. 5031 : Parfumerie Houbigant (...) by Anonymous

Journal des Demoiselles, Supplement au No. 20, 15 Octobre 1911, No. 5031 : Parfumerie Houbigant (...) 1911

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drawing, print, poster

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portrait

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drawing

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historical design

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art-nouveau

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print

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traditional media

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symbolism

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poster

Dimensions: height 285 mm, width 194 mm

Copyright: Rijks Museum: Open Domain

Editor: This is an advertisement from the Journal des Demoiselles, a print from 1911. It depicts a stylish woman, an advertisement for Houbigant Parfumerie. The overall impression is very much about constructed femininity and the presentation of women in this era. What do you see in this piece, and what social commentaries might be lurking beneath the surface? Curator: Absolutely. Let's consider this not just as an advertisement, but as a document reflecting early 20th-century ideals and constraints for women. The woman's posture, her clothing – it all speaks to a very specific performance of femininity. The 'Journal des Demoiselles' itself was targeting an upper-class female audience, so what does it say about who had access to this idealized image? Editor: That's a really good point! So the advert isn't just selling perfume, but it's selling an entire lifestyle, right? An aspirational, potentially unattainable, identity? Curator: Precisely! And consider the power dynamics at play. The advertisement is created, presumably, by men, for consumption by women. This contributes to a male-dominated perspective on how women should look and behave. The rigid silhouette and feathered hat feel almost like a beautiful cage. Editor: The idea of the "beautiful cage" makes a lot of sense considering the constraints that women had during that period. Now I look at it differently. Curator: Yes, and we need to critically engage with these historical constructions to understand how they continue to inform contemporary ideas about gender, class, and beauty. What happens when we view these pieces as points of departure for social critique and conversation? Editor: I hadn't thought about it in such a politically charged way, but now I'm definitely seeing new layers to this image. It's more than just a pretty picture, it's a historical argument! Curator: Exactly. By examining such images critically, we start conversations about the forces shaping women's lives, then and now.

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