Groepsportret van jonge mannen en vrouwen op een boerenerf by J.A. van Tol

Groepsportret van jonge mannen en vrouwen op een boerenerf 1890 - 1920

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photography, gelatin-silver-print

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portrait

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print photography

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photography

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historical photography

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group-portraits

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gelatin-silver-print

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19th century

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realism

Dimensions height 148 mm, width 233 mm, height 252 mm, width 358 mm

Curator: Let’s examine this gelatin silver print titled "Groepsportret van jonge mannen en vrouwen op een boerenerf," which translates to "Group Portrait of Young Men and Women on a Farmyard." It's attributed to J.A. van Tol and thought to date from somewhere between 1890 and 1920. What is your first reaction to the photograph? Editor: Immediately, I'm struck by the formality juxtaposed against what should be a rustic, perhaps even joyful, setting. There’s a severity to the arrangement, a solemnity that feels weighty, almost as if capturing this moment carried great significance. Curator: Indeed. Note how the subjects are arranged in tiered rows, their gazes fixed and unwavering. This formal structuring enhances the impact of each individual face. Look closer; can you discern any repetition, variation or asymmetry within their arrangements? Editor: The eye is drawn to repeating shapes—dark jackets and light blouses, the balanced distribution creates a structured view. I am intrigued by how the clothing serves as visual cues of unity but at the same time creates division based on their social standing. Are they perhaps members of a social club, school group, or perhaps workers on the same farm? Curator: Fascinating thought. Symbolically, clothing may reveal a social hierarchy. The women's light-colored blouses represent a purity, and possibly youth, against the mature authority implied in the dark, serious tone of the men’s attire. Editor: The very act of assembling and capturing the group—the creation of such a careful record—speaks to the rise of photography as an art form able to immortalize. A sense of wanting to make themselves remembered, the rural background lending an earthy quality in contrast to their dignified stillness. This echoes, perhaps, the burgeoning sense of nationhood or cultural identity present in many parts of the world during the turn of the century. Curator: That’s an insightful point about cultural identity reflected in a simple group portrait. Considering all of this, my attention pivots back to their gaze as if they have something very meaningful, maybe even guarded to express. Editor: This deep dive has highlighted something fascinating for me. This is much more than a photo; the photograph transforms them into icons. Curator: Agreed. Thank you for offering this fresh perspective.

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