Gezicht op de Abdijtoren te Middelburg by Gebroeders van Straaten

Gezicht op de Abdijtoren te Middelburg c. 1900

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print, paper, photography, architecture

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print

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neo-impressionism

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paper

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photography

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cityscape

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architecture

Dimensions: height 229 mm, width 309 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at "View of the Abbey Tower in Middelburg" from around 1900, the neo-impressionist print captures a cityscape focused on architecture, made by Gebroeders van Straaten. It's fascinating to consider what the tower represents. Editor: It feels very austere to me. The grayscale palette accentuates the monumental size of the tower, doesn't it? The photograph has very precise and firm geometric forms, which conveys a kind of rigidity, I'd say. Curator: Well, consider Middelburg’s history. The tower was a symbol of civic pride and religious authority, prominently displaying the wealth and importance of the city within Zeeland. Images like this played a crucial role in shaping and reinforcing that local identity at the turn of the century, wouldn't you agree? Editor: Perhaps. I see the attention to line and shape more distinctly than civic promotion, honestly. See the strong vertical thrust of the tower balanced by the horizontal mass of the buildings. Even the sky, subtly differentiated with its light and dark areas, plays with form. The atmospheric perspective diminishes toward the tower, but what are we supposed to make of it? Curator: It reminds us that images, especially then, were not simply neutral documents. The Van Straaten brothers choosing this particular viewpoint would have wanted to highlight the enduring presence of Middelburg’s past while showcasing its then modernity. The angle also helps present the church as stable at a time when Europe was at the cusp of social upheaval. Editor: An enduring presence or a static form? Look at the textures: rough stone contrasting with the smooth, almost ethereal sky, an opposition that holds your eye within the frame. This balance, or even tension, adds depth and keeps the tower from dominating completely. Curator: It does make me consider how a society chooses to frame its narrative—who it elevates and what remains behind in the shadows. Editor: True, it certainly stimulates questions beyond surface appreciation. I have really enjoyed discussing the nuances of this picture.

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