Assumption of the Virgin n.d.

Carlo Maratti created this drawing, Assumption of the Virgin, using pen and brown ink, with brown wash over black chalk. At first glance, this seems like a straightforward religious study. But think about the labor involved. Maratti uses a reed pen, allowing for bold strokes and textured lines. Notice the varying pressure, creating depth and shadow. This technique, typical of the period, required extensive practice and control. The drawing isn't just about the subject; it's about Maratti's skill. Consider the social context: religious art was commissioned by the church and wealthy patrons. Artists like Maratti were part of a system where their artistic labor was valued, but also controlled. The production of drawings like these, however, allowed the artist to develop ideas and hone their craft. The choice of materials, the labor-intensive process, and the social context all intertwine, reminding us that even seemingly straightforward artworks are products of skilled work and historical forces.