Abstraction No. 4 by Beauford Delaney

Abstraction No. 4 1965

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oil-paint, impasto

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abstract-expressionism

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abstract expressionism

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organic

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abstract painting

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oil-paint

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landscape

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impasto

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organic pattern

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abstraction

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allover-painting

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abstract art

Curator: This painting simply shimmers. It's like standing in a meadow bathed in the golden light of late afternoon. Editor: You've captured the essence precisely. We're looking at Beauford Delaney's "Abstraction No. 4", created in 1965 using oil paint. The impasto technique really gives the surface a tactile quality. Curator: The allover composition, avoiding a clear focal point, really enhances that sensation of immersion, doesn't it? It feels expansive and boundless, a field of pure sensory experience. Editor: Delaney worked within the Abstract Expressionist movement, where this type of emphasis on subjective experience was central. However, it’s interesting to consider that many saw the style losing its relevance in the mid-sixties. Can we see it here reflecting and reacting to the shifts of culture and socio-politics during that time? Curator: Absolutely, it reflects a moment of flux. Yellow, of course, is often associated with joy, illumination and divinity. But within the context of the time it resonates with tension as the artworld sought alternatives. The symbolic possibilities are endlessly suggestive. It speaks to a personal and a public mood. Editor: Indeed. There's something almost restless about the paint application; that impasto seems to suggest repressed energies needing release. Curator: I wonder if it speaks to his place as an African American artist within the predominantly white art world, or his grappling with his identity as a gay man. Those issues remained highly marginalized at the time and his vibrant use of yellows feels like a brave statement, maybe of resistance even. Editor: Considering his position in the art world and society is critical. There’s an undeniable intensity at play within these luminous tones. Seeing it from this lens highlights his own agency and defiance, his determination. Curator: The personal and political—they intertwine, just like those brushstrokes. It prompts one to reflect on the individual within a turbulent environment. Editor: This consideration definitely transforms the viewing experience for me. It's not simply a beautiful abstraction; it's a resonant artifact of a specific historical moment. Curator: A moment rendered eternal, caught in these layers of light and emotion. Editor: It certainly deepens my appreciation. Thanks for drawing out that nuance.

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