Groepsportret van een onbekende jonge vrouw met vier kinderen in een zandbak by Hermann Albrecht

Groepsportret van een onbekende jonge vrouw met vier kinderen in een zandbak 1921 - 1926

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photography

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portrait

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photography

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group-portraits

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realism

Dimensions: height 100 mm, width 135 mm, height 269 mm, width 200 mm

Copyright: Rijks Museum: Open Domain

Curator: This photographic portrait by Hermann Albrecht, dated sometime between 1921 and 1926, presents an unknown young woman with four children in a sandpit. Editor: The mood feels simultaneously contained and expansive, if that makes sense. All this raw joy carefully framed inside of an oval. There’s a sense of stillness too. Almost… sepia nostalgia. Curator: The setting immediately signals leisure and a specific social class able to afford such domestic idyll. The tangible props--a wooden cart, a collection of play tools--underscore the deliberate staging and careful construction of familial imagery prevalent in that era. Think about how these objects define childhood here. Editor: Childhoods made up of sunshine and wood splinters? There’s such a vulnerability in their expressions though; the eldest girl especially carries a weight, that hint of maturity in her eyes. But it's all just contained to this instant, in front of the camera. A quick picture of their sandcastle building phase. Curator: The tonal range achieved through early photography techniques adds complexity. Consider, also, how this intimate portrait enters a public space: galleries, printed publications. It allows analysis of its composition, technique, the materiality of a photograph meant for display, and the social relations captured. It transforms a domestic scene into a consumable artifact, in essence. Editor: And I find that notion somewhat sad. Stripping them bare and placing them here today so we can over analyse childhoods innocence. Though perhaps their image could also carry traces of all the hands that handled and posed for this photo? Who built the set? What about the seamstress? They helped give shape to it. Curator: Indeed! Seeing how this transforms family life, or in general childhood, into material to reflect upon reminds us the social layers always being behind the object being produced. Editor: I like how this brings all our stories here today; an artwork able to carry different faces and narratives. Thank you.

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