Fork 1935 - 1942

Benjamin Resnick made this drawing of a fork with what looks like graphite on paper, maybe sometime in the mid-20th century. I like the simple palette, the way the grey of the fork contrasts with the creamy paper. It's a drawing that embraces its process. Look closely, and you can see all the little marks that build up the form. He's not trying to hide anything, every stroke is visible. I find myself drawn to the handle, where the graphite is layered and smudged, giving it a tactile, almost sculptural quality. The loop at the end feels particularly playful, a little flourish that hints at the artist's hand. Resnick’s focus on everyday objects reminds me a little of Giorgio Morandi's still lifes. Both artists found beauty in the mundane, turning simple forms into something profound. It's a reminder that art isn't always about grand statements, it can also be about careful looking and quiet contemplation.