Latch for Double Swing Gate c. 1939

Maurice Van Felix rendered this drawing of a "Latch for Double Swing Gate" with graphite on paper. The composition immediately strikes us with its vertical orientation and the stark contrast between the heavy, textured latch and the soft, neutral background. The choice of graphite emphasizes the object’s materiality, showcasing the rough, almost industrial texture of the metal. The form itself—a long, slender body culminating in two rounded hooks—evokes a sense of functional beauty. Semiologically, the latch is more than just a fastener. It represents closure, security, and the demarcation of space. In the context of structuralism, it acts as a signifier, pointing to broader systems of order and control. Yet, Felix's focus on its aesthetic qualities destabilizes its utilitarian purpose. The meticulous detail and careful shading transform a mundane object into a study of form and texture. Consider how Felix subverts our expectations by elevating a simple, functional object to the level of art. This act challenges conventional hierarchies and invites us to reconsider the aesthetic potential inherent in the everyday. Ultimately, the latch becomes a focal point for exploring the interplay between form, function, and meaning in art.