Genezing van de vrouw die aan bloedvloeiingen leed en Christus wekt de dochter van Jaïrus op 1791

Curator: Here we have Jacob Folkema’s 1791 engraving, "Healing of the woman with an issue of blood and Christ raises the daughter of Jairus." It's quite a piece, isn't it? The composition, divided into these two distinct scenes, almost feels like a diptych within a single print. Editor: Yes, a striking work. What immediately captures my attention is the texture achieved with the engraving—it feels tactile. The density of lines used to depict the drapery gives a real sense of weight to the fabrics. Curator: Absolutely. The formal construction supports the narrative, don't you think? The upper scene feels quite open and public, highlighting the performative aspect of the healing. Note the figures in classical robes. The woman touches Jesus almost secretively, while below we have the more intimate interior where Jairus' daughter is brought back to life, framed by heavy curtains. Editor: I'm drawn to those curtains as well, the way they frame the scene— it begs the question, who is included, who is excluded? What does the means of the artist reveal about craft as a visual commodity? It prompts considering the cost and labour, to create a piece of reproductive material like this in the eighteenth century. Curator: A fair point! The contrasting environments also create a rather neat parallel between outward display and inward transformation. It's fascinating how Folkema uses the lines of the engraving to direct our eye to pivotal points: the outstretched hand of Jesus in both scenes, the woman’s hesitant touch, the child’s limp body being revitalized. Editor: The level of detail suggests the labor invested. These marks tell of an artist involved in commerce. In light of its reproductive character, what are your views on value for such historical print production? It encourages reflections on how faith-based content was both spread and owned through its image production. Curator: The stark contrast in these narratives, then, emphasizes not just miracles but distinct modes of engaging with the divine. The overall visual harmony creates a contemplative experience. Editor: A material representation of faith in action. What a fascinating convergence of labor, process and faith that Jacob Folkema's engraving holds within its lines.