Bomen in Doorwerth c. 1864 - 1867

Maria Vos made this sketch of trees in Doorwerth, in the Netherlands, sometime in the mid- to late-19th century. This work provides insight into the artistic practices and social context of women artists during that time. Vos, like many women artists, often focused on landscapes and still life, genres considered appropriate for women due to their perceived domesticity and connection to nature. The sketch's intimate scale and focus on natural beauty reflect the prevailing artistic values of the era, which emphasized direct observation and emotional response to the environment. However, women artists faced significant barriers in accessing formal art training and exhibition opportunities. Vos was able to have a career as an artist because of her family wealth and connections. By studying archival materials, such as letters, exhibition records, and biographical accounts, we can better understand the challenges and triumphs of women artists like Maria Vos.