Lovett, Pitcher, Brooklyn Bridegrooms, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company

Lovett, Pitcher, Brooklyn Bridegrooms, from the Old Judge series (N172) for Old Judge Cigarettes 1888

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drawing, print, photography

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portrait

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drawing

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toned paper

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print

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baseball

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photography

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men

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athlete

Dimensions sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)

Curator: Let's discuss this baseball card from 1888, "Lovett, Pitcher, Brooklyn Bridegrooms, from the Old Judge series," produced by Goodwin & Company as an advertisement for Old Judge Cigarettes. Editor: My first thought is the tonal range—it’s so narrow. The image feels compressed into this single hue, almost a study in sepia. The way light models the figure is subtle, yet effectively conveys a solid form. Curator: Indeed. This card offers a glimpse into the popular culture and marketing strategies of the late 19th century. The baseball craze was in full swing, and companies used these cards to promote their products, embedding themselves into the fabric of American leisure. Editor: The composition is straightforward. Lovett’s pose, gripping the ball, feels rehearsed, staged. However, there is some charm in the contrast between the plain backdrop and the details of his uniform. It almost feels like an attempt to highlight athleticism, placing the emphasis on skill in opposition to distracting background imagery. Curator: And these cards weren’t just about promoting cigarettes. They also played a role in shaping the image of baseball players as celebrities and role models, contributing to the professionalization of the sport and fostering a sense of collective identity. Editor: Absolutely. The texture, implied by the photographic process, also gives a tactile sense—you almost feel as if you can run your fingers across it, connecting with the subject. It's a modest, unassuming image, but those understated qualities seem to work here. Curator: The mass production of these cards speaks to the industrialization and consumer culture of the time, underscoring how visual media became intertwined with commerce and entertainment. It’s a tiny fragment, but indicative of so much! Editor: Yes, exactly! Looking closely at form and detail—from pose to patina—allows us insight into culture, albeit from a fixed viewpoint. Curator: The intertwining of consumerism and the construction of sporting heroes! Fascinating. Editor: Precisely!

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