John J. Healey, Pitcher, Indianapolis, from the series Old Judge Cigarettes by Goodwin & Company

John J. Healey, Pitcher, Indianapolis, from the series Old Judge Cigarettes 1887

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print, photography, gelatin-silver-print

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portrait

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print

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impressionism

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baseball

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photography

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orientalism

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gelatin-silver-print

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men

Dimensions sheet: 6 1/2 x 4 3/8 in. (16.5 x 11.1 cm)

Curator: Here we have a gelatin silver print titled "John J. Healey, Pitcher, Indianapolis, from the series Old Judge Cigarettes," produced around 1887 by Goodwin & Company. It’s currently housed at the Metropolitan Museum of Art. Editor: The sepia tone lends an immediate air of antiquity, of course. But even beyond that, I’m struck by the almost stoic stillness of the figure—it feels less like a dynamic portrait and more like an attempt to capture an icon. Curator: That stillness is intriguing. Look closely at the composition. Healey is centered, framed almost symmetrically. His hands, holding the baseball, are positioned at his chest, a symbolic gesture of…offering, perhaps? Or of safeguarding something precious? Editor: Or, indeed, containing readiness—pregnant with potent energy. The “Indianapolis” insignia on his uniform is visible and legible but secondary in import. Instead, notice that he appears in the garb of an athlete but possesses none of the contemporary visual codes that suggest hyper-masculinity. What does it connote to the masculine ideal of the late 19th century? Curator: Fascinating thought. We have to consider, also, that this image comes from a series created for cigarette cards. So, baseball, the burgeoning sport of America, is directly linked to the burgeoning industry of tobacco, creating a potent mixture of nationalism and consumerism. Editor: Precisely! These cards became incredibly collectible. Consider the cultural memory attached to them. The image becomes less about Healey as an individual and more about his representative function. What he *represents*, both to the baseball institution and as advertising… Curator: His presence also alludes to themes of labour and spectacle at a time of drastic industrial transformation and mass spectator sports: an almost perfect metaphoric image about production, the labouring body, mass spectatorship, consumer habits…it works at multiple levels! Editor: Right. A confluence of narratives solidified into a single photographic frame. So even outside the artist's control, this print has been imbued with cultural significance that reaches far beyond simple representation. I won’t see baseball cards the same way again! Curator: Nor I, a fine reminder of how much depth can lie beneath even seemingly simple artifacts of daily life!

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