Not Titled (26) 1995

Editor: So, this is Mel Bochner’s "Not Titled (26)". There's no date, but it’s at the Harvard Art Museums. I’m intrigued by the flattening of space, yet it feels so three-dimensional. What's your take? Curator: The use of perspective, especially within a grid, becomes a powerful statement. Bochner plays with the viewer’s expectations. How does this challenge our preconceived notions of space and its representation, particularly considering Minimalism's emphasis on challenging spatial conventions? Editor: I didn't consider that! It's like a commentary. I see the influence of Conceptualism now. Curator: Exactly! It’s a visual manifesto questioning the status quo.