Design for an Inkstand 1540 - 1560

Ottavio Strada made this design for an inkstand sometime in the late 16th century. The pen and brown ink wash on paper drawing presents a fascinating view into the world of artistic patronage. Here, Strada displays an ornate object of elite status. Note the classical figures reclining within inset panels, and the cupid reclining atop the stand. These features, and the overall architectural structure, allude to the rediscovery of classical antiquity that defines the Italian Renaissance. The inclusion of such imagery would have signalled the owner’s erudition, wealth, and social standing. The inkstand thus becomes less a functional object and more a display of power and privilege. To further understand the object, we might research the market for luxury goods in 16th century Italy, or study the impact of the Vatican’s artistic and political patronage during this time. Only by placing the drawing within its proper context can we fully appreciate its historical significance.