Golvend gerimpeld rose lint op karton c. 1920

Gustav Schnitzler made this piece, Golvend gerimpeld rose lint op karton, by attaching undulating ribbon to cardboard. Looking at it, I can imagine Schnitzler experimenting with different textures and materials. The wavy, crinkled ribbon looks as though it has been sewn onto the cardboard, row by row. The rhythmic repetition of the ribbon creates a visual vibration. The texture is so tactile you can almost feel the delicate, frilly edges under your fingertips. The pale pink and blue hues create a calm, serene atmosphere. Thinking about Schnitzler, I wonder what other materials he may have explored in his practice? This piece reminds me of the work of other artists who experiment with textiles, such as Louise Bourgeois, or even the collages of Kurt Schwitters. Artists are always building on each other's ideas, sparking new forms of expression. Painting, like this piece, is a language that allows for endless experimentation. There are no limits to what can be achieved!