Amaryllis wordt gevangen gezet c. 1695 - 1705

Richard van Orley created this print, “Amaryllis wordt gevangen gezet,” using etching techniques. Notice how the composition of the artwork is structured by contrasting areas of dense hatching and cross-hatching, creating depth and shadow. In the left foreground, intricate lines define the figures and foliage, drawing the viewer’s eye into the scene. Van Orley utilizes a semiotic language through the figures' gestures and poses to communicate the narrative, evoking a sense of drama and tension. The organization of space, the use of line and tone serve not only to depict a scene, but also to engage with broader themes of power and storytelling inherent in the medium of printmaking during this period. This delicate balance between form and content invites ongoing interpretation, reflecting the rich cultural and philosophical discourses that shaped its creation.