Dimensions: image: 210 x 193 mm
Copyright: © The estate of James Boswell | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is James Boswell's "The Street," a compelling ink drawing in the Tate Collection. It feels like a snapshot of a bustling city at night, but shrouded in shadow. What catches your eye when you look at it? Curator: The way Boswell captures the energy of the street, the almost dizzying effect of light and shadow. It's like a memory, isn't it? A fleeting moment, a half-remembered fragment of a city's pulse. Editor: I like that—a "half-remembered fragment." It makes me wonder about all the untold stories in the image. Curator: Precisely! It reminds me that art isn't just about what's there, but what it makes you feel and imagine. Editor: True, it's really a moody piece. Curator: Absolutely. Boswell helps us embrace the in-between spaces of our urban experience.
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These are two of six lithographs James Boswell created for display in the British Pavilion at the 1939 New York World’s Fair, where Misha Black, AIA Chairman, worked as a designer. Boswell depicts himself outside Collet’s bookshop on Charing Cross Road in conversation with James Holland to the right. From the left, Jim Fitton, the third of the ‘three Jameses’, glances towards them. Early issues of Left Review, which introduced their cartoons, were edited at Collet’s. The setting for The Station is probably Marlborough Road, which closed in 1939. Gallery label, September 2024