Going Home 1984

Curator: Leon Kossoff's print, "Going Home," captures a sense of urban life. What strikes you initially? Editor: There's a raw, frenetic energy in the lines, almost vibrating off the page. It feels like the pent-up exhaustion of a working day. Curator: Indeed. Kossoff, born in 1926, often depicted post-war London, especially its working-class communities. This piece speaks to the cyclical nature of labor and the yearning for respite. Editor: I'm fascinated by the layering of lines, how they create both form and a sense of movement. It's as if the print itself is enacting the journey home, the fatigue etched into the very materials. Curator: The lack of distinct individual features also prompts thoughts on dehumanization within industrial structures. Consider its commentary on class, gender, and identity during that period. Editor: It's a powerful portrayal of urban existence, connecting materiality with the lived experiences of the working class. Curator: Absolutely. "Going Home" is more than just a depiction, it’s a statement. Editor: I agree; Kossoff masterfully utilizes the medium to convey the weight of the everyday.