Mlle. Étienne-Joconde-Cunégonde Bécassine de Constitutionnel . . . c. 19th century

Curator: Daumier’s lithograph, Mlle. Étienne-Joconde-Cunégonde Bécassine de Constitutionnel . . ., presents a rather imposing figure, doesn't it? Editor: She appears… discontent. The exaggerated lines and shading really underscore a sense of sourness. Curator: Indeed. Daumier often used lithography to critique Parisian society. The title itself is a mouthful, likely mocking the aristocratic pretensions of the rising bourgeoisie. Editor: The materiality of lithography allowed for mass production, bringing social commentary to a wider audience. Consider how Daumier leveraged the printing process to challenge power structures. Curator: Absolutely, lithographs were vital tools in shaping public opinion. Works like this highlighted political tensions through readily accessible visual satire. Editor: So, beyond the immediate impression, we see how Daumier engaged directly with the political and social landscape of his time through material and representation. Curator: Precisely. These prints were more than just images; they were active participants in the ongoing debates of the era.