Hands Off 

Frederic Remington made this monochrome painting of a confrontation in the snow using oil on canvas. Remington was fascinated by the ruggedness of the American West, and his artistic process often involved direct engagement with the subject matter, including extensive travel and observation. Though he made many studio paintings, he was essentially working as an on-site reporter, carefully observing the material culture of those he depicted. Here, the figures’ fur garments are rendered with close attention to their textural qualities; similarly, the sled, dogs, and skis are all carefully described. Look at the figure in the foreground, who has a revolver; it is clear that the painting isn't only about the hardship of survival, but also about the complex dynamics of labor, trade, and property in this landscape. Paintings like this remind us that making and materiality extend beyond the artist's studio, and that the objects and materials represented in an artwork are equally important to understanding its full meaning.