Essempio di recammi, page 8 (recto) by Giovanni Antonio Tagliente

Essempio di recammi, page 8 (recto) 1530

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print, paper, woodblock-print

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print

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paper

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woodblock-print

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geometric

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italian-renaissance

Dimensions Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm)

Curator: Looking at this page, I'm immediately drawn to the stark contrast of the dense, intricate pattern against the aged paper. It feels very contained and ordered. Editor: Indeed. What we're viewing is page 8, on the front, of "Essempio di recammi"– a book of embroidery patterns created around 1530 by Giovanni Antonio Tagliente. It’s an engraving, printed on paper, held in the collection of the Metropolitan Museum of Art. These books served a practical purpose in their time. Curator: So it’s not "art" in the way we think of it today, but a functional object—a guide for artisans. It represents the popularization of design. The democratization of ornamentation if you will. How intriguing! Editor: Precisely! It speaks volumes about the cultural value placed on craftsmanship during the Renaissance. Think of how the symbolism woven into these designs—geometric shapes, floral motifs—conveyed status and meaning. What feelings do these patterns evoke for you? Curator: The geometry, particularly those rhomboid shapes, suggests a world of precision and careful planning, almost like an architect's blueprint scaled down. Yet the repetitions can be almost hypnotic. It evokes a feeling of contained energy, as if a force were ordered, which fits in perfectly with the age it comes from. Editor: I see your point about the order, but there's also a fluidity in how those elements connect. For those who followed it in the Renaissance, each pattern served almost as a cipher – something very carefully calculated, intended to imbue their garments with luck or status, so what do you feel its continued use communicates today? Curator: Today, removed from that specific context, its modern function may be simply "decoration". It has also been transformed into inspiration in later art trends like abstract geometry, and its very regular, almost 'computerized' appearance also makes it seem somehow very current. Editor: Precisely! To look into it as an Iconographer really reinforces the ongoing dialogue between tradition and innovation. Thank you for this interesting conversation! Curator: A fruitful insight! It reminds us how functional designs contribute to visual culture across the centuries, taking on entirely new cultural meanings as it travels through time.

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