Head of a Woman with a Bun 19th-20th century

Editor: Here we have "Head of a Woman with a Bun," attributed to Thomas Eakins, a delicate drawing. There's something very peaceful about her closed eyes and the soft hatching. How do you approach the formal elements in a piece like this? Curator: The success of this image hinges on Eakins's manipulation of light and shadow to define form. Note how the tonal gradations articulate the volume of the head, particularly around the cheekbone and neck. The economy of line is also striking, wouldn't you agree? Editor: Absolutely, it's amazing how much he conveys with so little. I also think the bun is very well done. Curator: The bun, indeed, acts as a focal point, drawing the eye and completing the composition. This is a drawing which demonstrates that in terms of geometry and structure, "less is more." Editor: That's a very good point. I see now how meticulously the bun is placed. Curator: Precisely. Its position anchors the entire composition, creating a sense of balance and visual harmony.