Standbeeld van een Amazone 1631 - 1637

Claude Mellan made this print of an Amazon in the 17th century using the engraving technique. It’s a subtractive process, where the artist carves lines into a metal plate, applies ink, and then transfers the image to paper. The incised lines define the form of the statue. Look closely, and you can see how the density and direction of these lines create shadows and highlights, giving a sense of depth and volume to the figure. Notice how Mellan has rendered the texture of the drapery. Engraving demands precision and control, requiring years of training to master. It was an essential skill for disseminating images and knowledge in early modern Europe, serving a similar purpose to photography today. But unlike a photograph, each print from the plate is also an original work of art in its own right. When we consider the artistic labor, technical skill, and historical context that shaped this artwork, it challenges our assumptions about the boundaries of artistic creation, and the value of both fine art and craft.