Jupiter Over Sarcoplatus Flats October 23, 1996 6:42-10:46PM by Richard Misrach

Jupiter Over Sarcoplatus Flats October 23, 1996 6:42-10:46PM Possibly 1996 - 1998

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photography

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light-and-space

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night

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dusk

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twilight

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conceptual-art

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abstract photography

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snowscape

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photography

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geometric

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abstract nature shot

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light painting

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fog

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long exposure

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abstract art

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mist

Dimensions: image: 121.29 × 154.31 cm (47 3/4 × 60 3/4 in.) framed: 122.56 × 155.58 × 3.81 cm (48 1/4 × 61 1/4 × 1 1/2 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: So, this is "Jupiter Over Sarcoplatus Flats October 23, 1996 6:42-10:46PM," a photograph by Richard Misrach. It looks almost like an abstract painting, with these ethereal lines slicing through the darkness. It’s quite mesmerizing but also a little mysterious. What symbols or meanings do you see at play here? Curator: Those lines immediately speak to me of the cyclical nature of time. Light, especially light captured over extended periods as we see here, often symbolizes knowledge, divinity, or enlightenment across cultures. The way these trails seem to emanate from a dark void... it's reminiscent of creation myths, wouldn't you agree? Think about cave paintings, representing constellations, as the beginning of culture. The night sky serves as the grand narrative. Editor: That's interesting. I hadn't considered creation myths. It also feels very modern, almost futuristic, those linear trails could be interpreted in terms of space travel, and humanity reaching for the stars. Curator: Indeed! It's precisely that tension between the ancient and the contemporary that makes the image so compelling. Misrach, by choosing to capture this specific time and place, and even including the date in the title, hints at something larger. What emotions are triggered by this stark landscape? Is it about the individual versus the vastness of space or perhaps something else entirely? Editor: For me, it evokes a sense of wonder and awe, but also a feeling of insignificance. It’s beautiful but humbling, perhaps reminding us of our place in the grand scheme of things. The use of light and long exposure, creates a kind of map... I wonder if the artist meant that? Curator: I like that connection of map-making and awareness! We could imagine humanity perpetually searching through time as revealed by light, documenting the land. That we return to the sky over and over. Perhaps the only constant we can rely on in an uncertain future. Editor: It definitely gives me a lot to think about regarding how artists use light and symbolism to explore these timeless themes.

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