Mortuary Panel c. 20th century

Editor: This mixed-media textile work is called "Mortuary Panel," created around the 20th century, likely by Tshuosh or Sawos. I’m immediately struck by the varied textures and the overall rawness of the materials. What story do you think the materials and process tell? Curator: From a materialist perspective, this piece embodies the direct relationship between artistic creation and the environment. The wood, the fiber, and the pigments… these weren't just aesthetic choices, but readily available resources, pointing to the artist's direct interaction with their surroundings. Think about the labor involved. What does the deliberate arrangement and combination of materials say about the artist's technique? Editor: It feels like the materials are both deliberately chosen and allowed to exist in their natural state, especially the fibers around the edges. I wonder, does this speak to a fusion of artistry and practicality? Curator: Exactly. It challenges the Western idea of ‘high art’ by showcasing the intrinsic value of indigenous craft. The panel becomes more than a symbolic representation of the afterlife; it becomes a testament to resourcefulness, skill, and cultural practices woven into everyday life and death. Editor: So, instead of simply viewing the image depicted, we should also examine how the physical act of creating this panel reflects the artist’s relationship to their world? Curator: Precisely! The act of making is an integral part of its meaning, and it connects the piece to the social and economic conditions of its time. It highlights the labor, the material, and the cultural significance of indigenous art, prompting us to think beyond conventional interpretations. Editor: This really shifted my perspective. Thank you. I see now that the materials themselves are crucial narrators of culture and history. Curator: Indeed. Analyzing art through a material lens reveals a deeper appreciation for cultural narratives embedded in the very fabric of creation.